Samuel James #fundie samueldjames.net
[Samuel James is back, trying to win the "we're persecuted" game. By negatively comparing Jennifer Lawrence to her most famous film role.]
Perhaps she thinks Kentuckians who believe in traditional marriage should enjoy freedom of conscience only so long as that freedom does not offend the cultural consensus or disturb the quiet conformity of the public square. But if that’s what Lawerence really does believe, she should take some time out of her career to re-read carefully the books that have made her a millionaire.
The Hunger Games is a frightening narrative of people held in captivity to the elite brokers of power in culture (specifically, I might add, power over the media). Interestingly, the Capitol’s dictator, President Snow, forbids any mention of the rebel protagonist Katniss Everdeen in his empire. The world of the Capitol is a tightly controlled world of uniformity and unquestionable government authority.
There are many Americans at this moment who are facing tremendous cultural and legal pressure to jettison their religious beliefs, pressure that, in some cases, has driven businesses and families out of the public square. Meanwhile publications like the New York Times openly refer to them as “bigots” and modern-day segregationists. Is there any question who, in this scenario, are the truly powerful elites, demanding conformity, and who are the separatists insisting on liberty?
Of course, our current situation is nothing like the post-apocalyptic nightmare depicted in The Hunger Games, just as the West was not actually learning to love Big Brother in 1984. But that’s not the point. The point is that sometimes we need shocking images and warnings to remind us how precious freedoms like freedom of religion are. When they are taken away, even fictitiously, the world that results is nothing but horror.
I’m not sure what it is about exercising one’s sincerely held beliefs that is so offensive and embarrassing to Lawrence. But it sure sounds like the Katniss Everdeen we see on the screen bears little resemblance to the conformity-craving actress who wears her costumes and says her lines.