[From “The Godfather”]

It could be said that in recent times I have taken my vows as a priest of the sacred words[…]
But more than an act of will, when one begins the lifestyle of a true NS[…]the mind begins to metamorphose.

I have often said that when I was younger I wanted to be a film director. And indeed, I have seen a lot of cinema over the decades. But when I heard about the West’s darkest hour[…]my taste for the Seventh Art began to change. Films I had loved I began to see as containers of very bad messages[…]
Once upon a time in the US the Western was the favourite film genre for family consumption, but with time it was replaced by the mob story as the central epic of America. The Godfather is considered the best film of this genre[…]
Taking into account what we say in this post about transvaluation[…]the message of The Godfather couldn’t be more wrong. Michael Corleone is the antithesis of what the hero of an Aryan lad who goes to the movies to have fun should be. In fact, the fictional Michael Corleone is an enemy of the sacred words[…]Remember that the film opens in 1945, when Michael is dressed in a soldier’s uniform[…]
That alone would be enough to ban The Godfather in an ethnostate emerging in North America[…]Francis Ford Coppola, the director, is Italian-American and his film will represent the interests of his ethnic group, not those of the Anglo-Germans who originally conquered and populated the US[…]
I was also annoyed, but this is natural since the director is Italian-American, that the viewpoint of the family of Kay Adams Corleone[…]a pure Aryan, was one hundred per cent absent. If one compares her with the Sicilian Apollonia Vitelli Corleone[…]one can see the difference between a Mediterranean and a Nordic

Keep in mind that when the SS invaded the USSR, the commanders were careful that the young soldiers didn’t marry mudblood[…]
These brief words give an idea of what[…]I will do with most of the 50 films I used to recommend